Is it by chance or destiny? Or is it the celebration of the centenary of the cinema which favoured the union act of the film-making professionals? In all cases, it is the sign of maturity of which we can only but rejoice.
How not to pay tribute to this awareness which we wish to be lasting. Producers integrate public expectations in their projects, movie-theatre managers make campaigns of movie-theatre restoration, which, as a wave, covers slowly the whole country, distributors are more and more concerned with the national cinema and make efforts to find back the quality in parts of the films they acquire.
Awareness also of the priority given to cultural identity in the face to image invading where the best is side by side with the worse.